A rushed back half of a vocal line rarely improves by repeating the whole song. The singer may spend too much air early, or squeeze too many syllables into one beat. This article isolates only the front two beats and back two beats of one line so you can check breath reset and syllable placement.
Divide the rush inside one lyric line
Pick one line where the problem happens. Repeating the verse or chorus hides the exact place where it speeds up. In Jium, listen to the front two beats for air use and the back two beats for whether the last word still sits inside the beat.
Build a syllable map with lyrics and score
A long word may look like one block on the lyric page, but it lands as several syllables across the beat. Read the lyric and mark the syllables over the score. Once the last word has a clear starting beat, the rushing habit becomes easier to hear.
Alternate the reference vocal and backing with part mixing
Bring the reference vocal forward and listen to how relaxed the original phrasing is. Then bring the backing forward and find the beat without the vocal. Alternating the two views separates a syllable-placement problem from a lost-beat problem.
Compare takes by the last word only
Record one take as usual, then a second take where you save a little more air in the first two beats and place the last word on the marked beat. In recording comparison, ignore the full emotion for a moment and judge only whether the last word rushes or smears.